Тип публикации: доклад, тезисы доклада, статья из сборника материалов конференций
Конференция: International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2019); Moscow; Moscow
Год издания: 2019
Идентификатор DOI: 10.2991/ahti-19.2019.1
Ключевые слова: the architecture of postmodernism in Japan, the Japanese architecture of the 1980-1990s, pluralism in architecture
Аннотация: The architecture of postmodernism, as a western invention, was received with great interest in Japan. Of the huge number of materials, creative means, images and symbols that could be seen in the postmodern works by Western architects, Japanese masters did not take any interest in a particular school or trend. The Japanese met the Показать полностьюnew movement from the West as an image of the new epoch in general — the epoch of play and experiments, free from any rules. Changing socio-economic conditions resulted in the emergence of popular architecture and the play with styles and trends. That is why among the researchers the following question remains open: Was postmodernism an independent stylistic movement in Japanese architecture? Or alternatively, were they separate bold experiments by Japanese architects with no unifying theory or school — a phenomenon that could be more precisely called “pluralism”?
Журнал: 2019 International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2019)
Выпуск журнала: 324
Номера страниц: 1-4
Издатель: Atlantis Press